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Behind the Scene: 1 |
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Drew Hartzell's letter to his
family continued...
I need to stop here briefly to
set the stage. A few months
ago, learning that author Lynn
Adler, a strikingly lovely woman
in her 40s [sic 50s] who has
written a book on centenarians
after having studied them in all
sort of conditions for many
years, was conducting a national
search for five centenarians to
come to New York to be
interviewed by Barbara Walters,
the legendary news
anchor/reporter at ABC, Dad’s
friend, Marybeth Lobdell told
Dad about it, and at Dad’s
request she submitted his
name. Lynn came to Vicar’s to
interview him and I have set the
stage.
Lynn was there with her husband, Jim,
whose law degree from Yale made
it possible to have all of the
centenarians and their escorts
put up at the Club. Dad and I
went to our room on the 14th
floor and had a rest. At 5:30
all of us met in the parlor of a
suite just down the hall from
our rooms. Including Dad there
were four centenarians present:
Elsa Hoffmann and her daughter,
Joan Textor, from south Florida;
Lillian Cox and her
granddaughter Alyson from the
Florida panhandle; and Leonard
Ross (“Rosie”) and his niece
RoseMary Perner from Prescott,
Arizona. On Thursday for the
“shoot” we were joined by
Dorothy Young and her boyfriend
Stan from New Jersey. The fifth
woman decided at the last minute
she could not come so Dorothy was
a last minute replacement.
Rosie is a trumpeter; he plays
in a trio once a week in a club
in Prescott. Elsa and Lillian
are active but in ways I do not
remember.
After the little reception at which
we were joined by another of
Elsa’s daughters, Pamela
Hoffmann, the eleven of us
adjourned to a dinner on the
22nd floor, the penthouse floor,
the home of the Yale Club’s main
dining room. What a
space. You’ll have to wait for
the photographs! Jim was at the
head of a long table, which had
five people opposite each
other. To his right: Dad, me,
Pam, Rosie, and RoseMary. To
his left: Elsa, Joan, Lynn,
Lillian, and Alyson. We had a
great time. Lots of talk and
laughing and interesting talk,
too. You would expect nothing
less with a group like this.
The next day, Thursday, we met in the
lobby about 12:30, took three
black Lincoln limousines to an
independent studio on West 26th
Street, right near the
Hudson. When we pulled up, there
were camera men everywhere.
Again we went to a 14th floor,
to a rectangular room larger
than any room of its kind I have
been in. You could have fit our
entire house in it. And it was
painted white; everything was
white. One of the long sides was
entirely windows. On the wall
opposite the windows was a small
area for sitting. There was a
sofa, an arm chair, and a large
coffee table with a large vase
on it containing two enormous
leaves of the kind you see
normally only in tropical palm
houses. There were enough
utility chairs for everyone to
have a seat. Dorothy Young met
us there.
Eventually Barbara Walters came in,
met everyone, and the shoot
began around 2 p.m. in a studio
exactly like the one we were in,
further down the corridor. It
was filled with people and
equipment but it was also
entirely in white. RoseMary and
I decided not to be in the same
room with the shoot. The
conditions were sparse and no
noise was allowed. If I sneezed,
it would have been the end!
Besides, I will see the
finished, edited result when it
is scheduled to be shown.
After the shoot everyone gathered back in
the room where RoseMary and I
had been talking, for some still
photographs. Everyone was
photographed with Barbara
Walters. And then we descended
to the ground, back to earth,
and into the waiting Lincoln
limousines—this time there were
four—and off we went to the
Tavern on the Green: to horse
and carriage rides, and to a
luxurious banquet. Barbara
Walters had enjoyed the whole
thing so much she paid for it!
And producer Rob Wallace called
Lynn on her cell phone on the
way back to the club after the
banquet to say how great the
whole day was! That never
happens! We said goodbyes in the
lobby.
Dad and I had breakfast in the dining
room on the 22nd floor the next
morning as we had had that day;
everyone went their separate
ways; and he and I returned to
Albany on the train.
I just talked to Dad. His flight was
smooth and uneventful and he
sounded happy and relieved.
There are lots of tidbits to tell, too many
to include here. What an
incredible journey this was.
Love,
Daddy and Drew |
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Behind the
Scene ... our story continues.
It was
already a cohesive group, and
they were off to a good start,
although a later dinner.
Finally, the phone rang and the
front desk manager, who had
taken a personal interest in
helping with the arrangements,
called to say Lillian was in the
lobby. Lynn went down to greet
them and to show them to their
rooms. Lillian wanted to change
from her traveling clothes but
graciously allowed herself to be
persuaded otherwise – she looked
lovely just as she was, and one
would never guess that she had
had a very full day of traveling
from Tallahassee. Introductions
were made in the suite, and the
group began to make its way down
the long corridor to the
elevators, chatting as they
went. The party had begun! It
was a lovely evening, filled
with animated conversation. |
Karl and Elsa
at the Yale Club |
The
centenarians at dinner at the
Yale Club |
Elsa being
served dinner at Yale Club |
Karl and
Lynn's husband Jim chatting |
Elsa's
daughter Pam chats with Drew
Hartzell |
Lillian and
granddaughter Alyson |
Lynn, Rosie
and Lillian |
Then, as dessert was served,
Rosie proposed the second toast
of the evening – and told his
story of his experience
purchasing the new trumpet that
morning.
“We went to Rayburns, a store that was
advertised as “trumpet city,” he
began. [Rosie is originally
from Oklahoma, and speaks with a
slow drawl.] It’s where the New
York Philharmonic buys their
horns, I was told.
"I walked up to a very young salesman and
told him I wanted to buy a
trumpet. The store was busy with
lots of customers and people
taking lessons in private rooms,
with glass windows, all around
the showroom. He looked
skeptical, but he humored me,
and let me see several horns. I
could just imagine what he was
thinking: 'What’s this little
old guy from Arizona doing
here!'
"I finally found one I liked, a
Bach, so I decided to try it
out, and I started playing
'Sugar Blues.' |
Rosie proposes
a second toast, then told his
story of his experience
purchasing a new
trumpet that morning. |
"The kid looked astounded, so I
kept on going – and within a
minute, everyone in the store
stopped talking and people were
coming out of the private
booths. So I played the entire
song. When I finished, I said,
'I’ll take it,' and everyone
started clapping – and then they
came up to me and shook my hand
and talked and talked. It was
great!”
We all enjoyed our dinner — and
Rosie's story! — and afterwards,
the visiting continued. "Most of
us relaxed with a glass of
wine,” RoseMary confided.
Friendships were forged – Lynn
was thrilled. But it had been a
long day for everyone, and it
was “showtime” tomorrow!
Lynn suggested that everyone order room
service, to save time, if they
preferred, and then to assemble
in the hospitality suite. Once
there, final decisions were made
as to which earrings to wear,
lipstick to match, etc. A
discussion arose over Rosie’s
tie. Lynn had bought a shirt and
tie the previous day that she
thought went well with the black
leather jacket, but Rosie was
partial to the tie he had worn
for the Genworth commercial the
year before. Elsa, the fashionista of the group, made
the choice. (Rosie lost.) “We
were all having a warm and
wonderfully close time
together,” RoseMary observed –
“it was like an alumni
group!” And, indeed, in fact it
was a collegial atmosphere.
When the young ABC associate producer
arrived, all energy and smiles,
she greeted everyone of her new
acquaintances, whom she had met
over the phone, as old friends
as well – it just couldn’t have
been more congenial and put
everyone at ease, because, as
the time to leave grew near, a
bit of nervousness set in for
some of us – except for Rosie.
He declared later that he had
taken it all in stride!
Behind the scene continues >>>
It's the day of
the interviews! |
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© 1998-2018 National Centenarian Awareness Project & Lynn Peters
Adler, J.D.
No material, in whole or in part, may be reprinted
or reproduced in any form without the prior written permission
of Lynn Peters Adler and the National Centenarian Awareness Project.
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